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Reviewed by: Paff |
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Evil
Dead: Book of the Dead DVD review |
Review
date: February 12, 2002 |
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kb] | |
In 1982, Stephen King referred to The Evil Dead
as "the most ferociously original horror film of the year." It's likely
that without this endorsement, the movie may never have become the horror
classic that it is today. But the success of The Evil Dead was not
at the theaters or the drive-ins; it was almost solely due to home video,
so it's been long overdue for an ultimate edition. There have been several
releases on various video formats, from VHS and Beta to Laserdisc and DVD.
Anchor Bay has come up with some ingenious packaging on this newest
edition, called "The Book of the Dead." While the content doesn't add much
from previous versions, the packaging itself is unprecedented. No
self-respecting Evil Dead fan will not want this.
The Story
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Ash (Bruce Campbell) and four of his
friends are off to a remote cabin in the woods for a weekend of fun.
Everything begins innocent enough, with dinner and drinks, and
ridiculously cute gift giving between Ash and his girlfriend Linda
(Betsy Baker). Apparently both Ash and Linda had no problem
getting the weekend off from S-Mart.
Anyway, the fun starts
when Ash and Scotty (Hal Delrich) find some curious relics in
the impossibly large basement. There's an ancient book of Sumerian
burial rites, and a tape recording of the professor who discovered
it. Seems the book inspires the resurrection of demons, and the only
way to end the madness is through bodily dismemberment. You just
KNOW this is gonna get good. |
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Replaying the passages via the tape recorder
awakens a terrible evil in the woods, and in true horror movie
fashion, Cheryl (Ellen Sandweiss) decides to investigate on
her own. In one of the most infamous scenes in all of horror
history, Cheryl is attacked by the woods themselves, and that's when
the real craziness begins. Pretty soon, Cheryl turns into a hideous
demon, and keeping her locked in the basement doesn't seem to help.
The evil spreads from person to person, until it's only Ash left to
defend himself against his newly transformed friends.
|
The Evil Dead is one of the few films that
managed to scare me as an adult, almost solely due to the tension
Sam Raimi is able to create. It's not the subject matter or the
excessive gore, it's just the simple concept behind it; being in a
confined inescapable situation under attack from all sides. We've
seen this in film almost since film was invented, all the way from
Stagecoach to From Dusk till Dawn. This plot device is
used again and again because it just never gets boring. |
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The opening of the movie is a bit slow, but it's
essential in creating mood and atmosphere. Raimi makes deliberate
efforts to describe in intricate detail his cabin setting. This
creates a claustrophobic effect, and we feel the loneliness and
isolation of all of the characters. Not too many directors would use
such a limited scenario, and then spend the first third of the film
detailing almost every inch of that setting. But in doing so, Raimi
makes us feel like we are in that cabin too. |
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Raimi combines the simplicity of the plot with
some amazing visual techniques. For once, 16mm actually provides an
advantage over 35mm, as he was able to use the lightweight 16mm
camera to provide frenetic movements that may not have been possible
using 35mm. From the opening scene as the camera rises from the
swamps, to the final swoop through the cabin, you will always notice
Sam Raimi's radically unique visual style. The camera angles are
stunning as well, furthering the overall off-kilter feel of the
film. |
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One of the more obvious aspects of The Evil
Dead is the staggering amount of gory scenes, an aspect that
made the film difficult to release almost anywhere in the world.
Probably the only reason anyone even considered unleashing this
unbelievably violent film is that the gore is almost more humorous
than horrifying. Raimi took this idea even further with the sequel,
Evil Dead 2, which is almost more of a remake than a sequel
except that the humor is even more evident. It's for this reason I
actually prefer the less polished original, as it's more of a "true"
horror film than the Three Stooges-inspired but more refined sequel.
Ah, they're both good movies though… |
Image Quality
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Evil Dead sure looks nice (well, as nice
as a low-budget 16mm film can look) on this disc, but there's bound
to be a lot of controversy with the presentation here. As a 16mm
film, it was originally shot in the full-frame ratio, then matted to
a 1.66:1 or 1.85:1 theatrical ratio, depending on who you ask. Thus,
previous video releases of The Evil Dead were presented in
the non-matted ratio at 1.33:1. On this disc, we lose some of the
top and bottom of the picture in order to have a 1.85:1 ratio, but
that's most likely the way American audiences saw it. Now, while
some people are up in arms about the missing visual information, I
noticed that the composition didn't suffer at all. Oh, I'm sure that
in a few scenes there's an extra amount of gore that we won't see
with the mattes in place, but it's not really that distracting.
Basically, there is no "right" or "wrong" aspect ratio here, and the
consumer can decide for himself which release he'd like. And let's
face it, if The Evil Dead was brought back for a theatrical
revival, would anyone stay at home to watch their full frame
versions instead of a matted widescreen presentation on the big
screen? I applaud Anchor Bay for providing us with the theatrical
ratio. And purists can always seek out one of the many full-frame
releases on disc if they so desire. |
I compared this DVD to both the previous Elite disc and
the older Japanese Laserdisc. This new Anchor Bay disc polishes up the
rather washed-out look of the older discs, but that's not always a good
thing. Any of the outdoor scenes at night are marred by the extremely bad
matting of the moon. I had never noticed this before until seeing the new
transfer. I've gone back and looked for it on the other discs, and while
it's there, it's nowhere near as pronounced. In fact, I definitely
preferred the deeper black levels on previous releases, but the new DVD
provides more detail. It's really hard to say which one is better overall,
as they both have their respective merits. I like this new disc, but I'm
not getting rid of my old copies.
Sound
As with several of their recent releases, Anchor Bay has
presented The Evil Dead in DTS 5.1 sound. There's also a Dolby
Digital 5.1 EX track, but that mix isn't very different from Elite disc.
It's the DTS that's the standout here. The low roar during the "force"
scenes begins at the back of the room and moves forward with the camera
for a great effect. OK, it sure didn't sound like that in 1982, but Raimi
did make great use of sound with his original release, and I think the DTS
enhances the effects. Other than the extra surrounds, the DTS is
comparable to the Dolby Digital in terms of clarity and direction. If
you've heard any of the previous 5.1 tracks, there is no measurable
difference here.
Supplemental Material
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This Anchor Bay disc ported over the commentary
tracks from the previous Elite disc. The first commentary is by
director Sam Raimi and Producer Robert Tapert. But despite the
genius those two showed in creating the film, they're rather mum
when it comes to discussing it. In fact, I'd just avoid the
commentary altogether, in favor of the second track done by Bruce
Campbell. Bruce actually re-iterates all of the important facts Sam
and Robert talked about, but in a much more entertaining manner. He
also gives even more information than Raimi and Tapert on other
subjects. It's rather strange that the star of the film actually
knows as much technical details as the director, but that's one
reason Bruce Campbell is so idolized when it comes to these films;
obviously he was just as influential as Sam Raimi in the overall
look and feel of the Evil Dead trilogy. |
We also get the trailers and still gallery from the
previous disc, as well as the 18-minute behind the scenes featurette. I
hadn't seen this before, and it really does show the hardships the cast
and crew endured during the making of the film. The very extensive stills
gallery is also worth a look, but make sure you have plenty of time -
there are over 100 different shots here.
Not all of the supplements on this Anchor Bay disc are
re-treads though. There are two featurettes that have not appeared on any
previous release. Unfortunately, they're not exactly essential viewing.
The first documentary, produced and directed by Bruce Campbell, is
entitled Fanalysis, and really isn't specific to Evil Dead at all.
In fact, it's a study of genre fans, from the casual viewer to the
fanatics who legally change their names to that of their favorite sci-fi
and horror characters. But despite these lunatics, Fanalysis is not an
indictment nor a defense of their bizarre behavior. As Bruce himself
points out, it's fans like this that pay his bills. I think everyone who
sees this will recognize himself and his "level" of fandom. The next
documentary, Discovering Evil Dead, almost seems more out of place, even
though it's directly related to The Evil Dead. In this featurette,
two producers, Stephen Wooley and Nik Powell, discuss their efforts to
bring The Evil Dead to both theaters and video in England back in
the 80s. This was the time of the infamous "Video Nasties" that raised so
much controversy in Great Britain. Unfortunately though, as an American, I
think I'd be more interested in the efforts made to distribute The Evil
Dead in the United States and worldwide, rather than just the European
market. It is an interesting documentary to be sure, but not exactly
required viewing except for the most ardent of fans. What will interest
fans the most with this release however, is the packaging itself. As the
name implies, The Book of the Dead is a re-creation of the infamous
tome that inspired all three Evil Dead movies. I haven't read aloud any of
the incantations, and I doubt anything would come to life if I did, but I
do like this presentation. As a longtime Laserdisc collector, I've always
felt that DVD has yet to design any creative packaging that was standard
on many old Laserdisc releases. Well, this one beats the old 12-inch
format in a big way, and may be the most interesting video release I've
ever seen. Also, there's a nice booklet inside which documents the many
video incarnations of The Evil Dead. Many fans (myself included)
have been confused with all the different releases on VHS, Laserdisc, and
DVD. While it doesn't exactly do a complete side-by-side-by-side
comparison of every single version with all of the various supplements,
it's still a nice video history of the film. Finally, the most notable
supplement is the one that isn't there: The Sam Raimi short film Within
the Woods, a predecessor to The Evil Dead. Anchor Bay had
originally announced that this film would appear on this DVD, then
cancelled at the 11th hour. Many fans are up in arms about this, and are
of the opinion that another release WITH the short film will one day be
made, thus forcing them to buy The Evil Dead yet again. I don't
know for sure whether or not that will ever happen, but I wouldn't want to
risk not owning this gorgeous edition just in case a future release
supplants it.
Final Thoughts
The Evil Dead is a classic 80s horror film, and
the first part of one of the best trilogies of all time. Anchor Bay has
done it justice with an anamorphic transfer, DTS sound, and an incredible
package. Some fans are rightfully miffed about the repetition of
supplements as well as the omitted Within the Woods. I'm not sure
that casual fans who already have one of the previous releases on either
Laserdisc or DVD will really need to add this to their collections, but
hardcore fans will definitely want it. Words alone cannot accurately
describe just how cool The Book of the Dead really is. Join us!
Rating
Movie - A Image Quality - B+ Sound -
A- Supplements - A-
Technical Info.
DVD
- Anchor Bay
Entertainment
- DVD Released 3/5/2002
- MSRP $49.98
- Color
- Region 1, NTSC
- Unrated
- Widescreen 1.85:1 | 16x9: Yes
- 1 Disc
- 25 Chapter Stops
- English DTS 5.1 Sound
- English Dolby Digital 5.1 Surround EX
- English Dolby Surround 2.0
- French Dolby Digital 5.1
- French Dolby Surround 2.0
DVD Status - IN PRINT (available for a limited
time only)
Supplements
- Audio Commentary with writer/director Sam Raimi and producer Robert
Tapert
- Audio Commentary with star Bruce Campbell
- Fanalysis: A 26-minute documentary by Bruce Campbell
- Discovering Evil Dead
- Behind the scenes footage and outtakes
- Theatrical Trailer
- TV Spots
- Poster & Still Gallery
- Talent Bios
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