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In this side street, too, an Army vehicle is standing.

Their eyes meet for a moment, neither willing to conjecture what this might mean. The very quietness of the operation is ominous and menacing. Their faces show grave concern.

Attention, Zone 5-- report when target vehicle passes your position.

shooting through the window at Helen and Klaatu, who are growing more tense and nervous.

shooting over the back of a jeep mounting a machine gun as the cab passes the intersection. The driver picks up his radio and reports into it.

shooting through the windshield as the driver reports by radio, his eyes shifting to follow the moving cab.

There’s no limit to what he could do. He could destroy the Earth.

Helen nods, repeating the words soundlessly.

of vehicle drivers reporting by radio as their eyes follow the progress of the taxi. (These should be shot so we don’t hear what is said.)

The Colonel motions to his driver and the staff car pulls out.

as a convoy of eight vehicles moves down the street going very fast and swings around a corner.

of individual vehicles that have been waiting at intersections, as they pull out and down the main streets to converge on the taxi.

at a major intersection, as the convoy of eight vehicles previously seen dashes through the intersection and stops. The cars quickly arrange themselves so that they form a roadblock, completely sealing off the street.

As he slows his cab down, Helen leans forward into scene. Frenzied, she is about to urge the driver on when Klaatu puts a restraining hand on her shoulder.

shooting down the street from the barricade, as the taxi stops. Army cars are closing in behind the taxi, so it is trapped. The cab door ovens and Klaatu steps out, making a run for the entrance to a pedestrian underpass.

It is one of the lead vehicles in the group coming up behind the taxi. It mounts a .30 caliber machine gun and, with the Jeep still moving, the gunner fires a burst at Klaatu.

He’s on one of the vehicles that form the barricade. He takes a bead on the running figure of Klaatu and fires.

Klaatu is unable to say any more. He is dead. Helen looks around wildly, helplessly, with tears and terror in her eyes.

on the place where Klaatu lies. He is their first and all-important concern, and Helen finds herself pushed out of the way, toward the edge of the growing crowd of soldiers.

DISSOLVE TO:

In the eerie light of the huge building, the great robot stands encased in a solid block of clear, transparent plastic. As CAMERA MOVES IN slowly, we hear a low whirring sound, as of power being generated. A faint glow, visible through the plastic, emanates from Gort's body. His eyes, which seem to express rage, shifts as though he were straining to break out. As the whirring sound and the glow of Gort's body increase in intensity, the sharp edges at the top of the ice-like block melt into roundness and the plastic starts to drip away. (About 150 folding chairs are arranged on the floor near the space ship for the meeting tonight.)

The whirring sound can be heard faintly from inside. The two soldiers standing guard at the door hear the sound and listen apprehensively. The two men exchange an uneasy glance. After hesitating a moment, one of them decides to investigate. He turns and goes inside the door.

As he stops and looks up at the robot, his eyes go wide with terror.

Gort is an awesome and terrifying sight. His head is free now and he seems to be straining against the plastic, which is dripping down the sides of the block.

He glances around nervously to see that his companion has entered the building and is staring up at the robot, bug-eyed. Slowly the second soldier moves up beside the first. Wordlessly, they bring their rifles up to the ready and click them off safety. In spite of their terror, they advance slowly toward the robot.

The whirring sound is ominous and his body glows brightly. And his eyes are fixed on the two advancing figures.

as they move toward Gort.

From inside him comes a new and terribly sharp crackling. sound. And from his eyes two pencils of light dart out. After a moment the crackling sound stops and the light goes off.

from same angle as scene before last. But the two soldiers have utterly disappeared.

as Gort resumes breaking out of the plastic. There is no sign of the two soldiers.

Hurrying along a footpath, nervous and distraught, she pauses for a moment, looking at the entrance of the building. Then she starts determinedly across the grass toward the entrance.

PANNING with Helen as she approaches the entrance fearfully. Rallying all her courage and determination, she forces herself to step inside.

as she enters the huge, weirdly lighted building. She stops short as her glance falls on the awesome figure of Gort. Loneliness and terror grip her and she wants to run -- but she realizes she can't.

He has seen Helen and his flashing eyes bore into her. His upper body and arms are free now, and the plastic is rapidly melting away.

She is held fascinated by the robot's staring eyes. For another moment it looks as if she would, break and run. But she summons all her courage, and moves slowly toward Gort, whose legs are still held captive.

as she moves slowly, fearfully toward him.

The plastic is dripping off his legs now. With great effort, he pulls his legs free and steps out of the stuff. A huge figure in the heavy shadows, he moves slowly and menacingly toward Helen.

as she stops advancing, rooted to the spot in fear. Then she starts backing away, keeping her eyes on him.

As the great, hulking figure approaches, Helen can’t stand her ground. She turns and runs wildly toward the far end of the building. Gort follows her with unhurried, inescapable strides. Unwittingly, Helen has run into a corner, and the robot is closing in on her.

Her eyes go wide with terror as she realizes she’s trapped. In a wild effort to run around him, she stumbles and falls to the floor. Immobilized with fright, she lies breathless, looking up at him. Then she gives a piercing scream.

as the great robot bends over her menacingly, arms outstretched as though to grab or smash her.

HELEN
Gort -- !
(with desperate clarity)
Klaatu -- barada -- nikto.

He pauses as he hears the words. His face doesn't change expression, but the words obviously have an effect on him. He hesitates thoughtfully for a moment.

Helen watches him in an agony of suspense. Then the robot slowly bends down, picks her up in his arms and starts walking toward the space ship.

PANNING with Gort as he carries Helen, speechless with fright, to the side of the ship. He touches the side, and the ramp moves slightly out. He mounts the ramp, still carrying Helen, and disappears into the ship with her. And the ramp closes silently behind them.

CAMERA FOLLOWS as Gort carries Helen through the dimly lighted corridor into the main cabin, where he flips a switch that lights up the cabin. The robot proceeds to a small door leading off the main cabin and disappears with Helen inside it.

This is revealed as a weirdly equipped laboratory, the walls of which are lined with the most complex array of mechanical and electronic apparatus. Gort sets Helen down on a stool and indicates for her to stay there. Too terrified to move, Helen watches as he busies himself with the apparatus. He starts flipping switches and turning dials. As a result, lights begin to flash and there's a strange series of mechanical noises.

Unable to guess the reason for these preparations, she is gripped with a terrible fear.

Ignoring Helen completely, Gort finishes his work. Then he moves to the door and goes out, closing the door behind him. Helen rushes to the door and searches frantically for the knob -- only to find, to her terror, that there is none. Frenziedly she beats on the solid metal door.

DISSOLVE TO:

Captain, don't let anyone in or out of the building.

DISSOLVE TO:

A squad of armed soldiers, led by the lieutenant, is admitted to the corridor by a Police guard and they start marching down the corridor toward a cell at the far end.

This is a cell on the ground floor. In the far wall is a heavily barred window, beyond which is as alley. In  f.g. are Klaatu's feet, stretched out on a crude table. As CAMERA HOLDS, the huge figure of Gort appears outside the barred window, Seeing Klaatu, he reaches up and yanks out the steel bars as though they were chicken wire. With a crushing blow of his knee he crumbles the brick and mortar below the window and steps inside the cell. He moves without interruption toward the body of Klaatu.

Hearing the sounds of clattering metal and mortar, the soldiers race down the corridor toward the cell.

DISSOLVE TO:

as Gort enters the empty building, still carrying the body of Klaatu. CAMERA PANS with him as he strides over to the ship. The ramp opens and Gort goes inside. Then the ramp closes after him.

Alone in the cabin, Helen is still terrified. She looks up, startled as the door opens and Gort enters, carrying Klaatu's body over to a long counter. Once again he starts fiddling with knobs, switches and dials. As Helen watches, speechless, he starts to fasten strange-looking electrodes to Klaatu’s wrist and ankle.

DISSOLVE TO:

A good many of the 150 chairs are filled, and more guests are still arriving. There is no one to greet them at the door, so they wander in and seat themselves.

Gort is still working over the body of Klaatu. From a socket in the wall he pulls a strange-looking hypodermic needle on the end of a cord or tube and gives Klaatu a shot in the arm.

as she watches, fascinated in spite of her terror.

Gort fiddles with the dials again and there are electrical cracklings and sputterings. Suddenly he flips a switch and all sound ceases. Gort removes the electrodes and watches Klaatu. CAMERA MOVES IN on Klaatu and we see him start to breathe. In a moment his eyelids flutter. Then his eyes open and he looks around.

No -- that is a power reserved to the Almighty Spirit.